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The Matrix Method: A Systematic Approach to Increasing Shot Variety

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The Matrix Method, Have you been shooting with the same lens, angles, and point of view for a long time, resulting in images.

The Matrix Method, Have you been shooting with the same lens, angles, and point of view for a long time, resulting in images that all look the same? 온라인카지노

The Matrix Method is one method for practicing adding more variety to your shots. Try it out, and you might be surprised at what you can accomplish.

Step 1: Begin with the composition matrix.

You may have discovered an intriguing photographic subject, but resist the urge to simply shoot from where you are and go!

That spot where you were standing might not have provided the best view.

To find the best composition, experiment with different focal lengths and shooting angles. Make a matrix to help you remember which combinations you’ve tried.

The goal is not to create visually appealing images from all possible combinations (although you can challenge yourself to do that if you want to).

Use the matrix instead to help you create more expressive shots of the same subject.

My first shot was a long (=”wide”) head-on shot.

My attention was drawn to the lighting and the ivy wrapping around the trees. This front-on shot captured them exactly as I first saw them.

The other side of the trees: a long shot from “behind”

This allowed me to see how the shot would appear in backlight.

From behind, a close-up

I moved in closer and photographed the ivy up close. In the backlight, the yellow-green ivy leaves stood out more, drawing my attention. I moved in close to photograph them.

Even more so

A close-up of the ivy leaves reveals more detail. You can get even closer if you have a macro lens!

Long shot from a low angle

Shot looking up from the tree’s roots.

Close-up, low angle

I had been using the same focal length for the previous shots.

For this, I finally changed my focal length and captured the colors and details of ivy leaves in the lovely light.

Tip 1: Make a concerted effort to experiment with the matrix.

A location or subject may appear unappealing from one angle but stunning from another. However, especially when shooting landscapes

We have a habit of leaving the location to shoot something else after we have completed our shot from one angle.

Make a concerted effort to experiment with various matrix combinations.

In fact, you should print your matrix and cross off the combinations you’ve tried.

Tip 2: Replace your lens as needed.

Change your lens every now and then if you believe it will help the shot. Learn how to make the most of various types of lenses here.

Step 2: Include lighting angles in your matrix.

When you’re ready to advance in the composition matrix, you can add one new item to the mix: ‘light.’

Changing the position, angle, and orientation of your camera can alter the lighting in your shot.

Here are three examples from my own experience.

The effect of reflected light was altered by lowering the position.

Tree shadows in the snow Light shining through the trees caused the bright patches.

Really low position

Low point, low position shot of snow with bokeh circles

Shot with my camera simply over the ground to cause more to notice the light. The low position provided the picture with a more noteworthy feeling of profundity.

Low point, low position shot of snow with bokeh circles

To have the additional opportunity, I set down in the snow with the goal that the camera was simply over the ground.

Shooting in vertical direction made mirrored light look more great

Notice “light” and many individuals will consider daylight, yet remember that there is light in anything, anyplace — in mists, in downpour 카지노사이트

As mirrored light, direct light, backdrop illumination, and so on. Focus on the things outside your viewfinder or Live View picture.

In the model underneath, I saw light gleaming off the water surface and changed my picture direction to make it my subject.

Flat direction shot of rocks in ocean

While I was noticing the waves and how they changed, the mists overhead became more brilliant.


Vertical direction of rocks in ocean

The light that sparkled from between the mists bounced off the water surface, making an intriguing surface.

I changed the camera direction to catch this and outlined it so it turned into the fundamental interest in the shot.

An adjustment of shooting point uncovered new lighting prospects

The accompanying shots were taken from recognizes that were scarcely 10 seconds’ leave one another.

It isn’t so troublesome the length of you put your energy into investigating the conceivable outcomes!

Shot from the north, pointing toward the south

Close-up of ice sheets

I shot from this point to catch the shape and type of the ice sheets. In any case, as I shot

I saw the light starting from the right half of the edge (the west), and chose to move to see what I could get.

Shot from the east, pointing toward the west

Ice sheets in ocean with light shaft

This is the shot I caught from another spot 90 degrees from the first, inverse the light source. The mirrored light makes a brilliant way on the water surface.

Stage 3: Add focal point settings to the network

You can likewise add focal point settings to your network. The most straightforward to begin with is the gap setting (f-number).

Differ the f-number and perceive how changing the profundity of field and level of bokeh changes the appearance of your shot.

Essential grid with light and f-number added

In both the shots underneath, the center point was put similarly situated: on the water surface at the highest point of the casing.

Notice how the level of bokeh changes, and how this, thus, changes the vibe of the picture.

It demonstrates how the f-number is one more factor you can use to extend your scope of imaginative articulation.

Taken shots at f/2.8

Water impression of trees with shallow concentration

The shallow profundity of field at most extreme opening f/2.8 delicately obscured the trees in the reflection.

The subsequent shot causes us to notice the space and feel. 카지노 블로그

Taken shots at f/8

Water impression of trees at f/8

Utilizing a smaller opening catches and causes us to notice the surfaces of the trees and the water surface.

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